Santiago Diazgranados

List of works

  • Pleistoceno (2012) for flute/clarinet, guitar, bass guitar, darbouka/djembe drum. (The flute- clarinet and darbouka-djembe distinctions account for different live renditions of the piece). Performed at Universidad El Bosque in 2012 and 2013.
  • Eremita Vagabundo (2013): SATB chorus
  • Caliz Solar (2013) electroacoustic
  • Catolicón (2013) sound collage
  • Suite del Ladrillo (2013) for clarinet, bass clarinet, french horn, and tuba.
  • Interpolación (2013) for flute-piccolo, french horn, guitar, violin, and violoncello.
  • Vater (2013) musique concrete, processed sounds of water.
  • Satyr (2013) for symphonic orchestra. Read on 2019 by the Frost School Symphony Orchestra, directed by Gregory Cardi.
  • Ondinoi (2014) for steel string guitar. Performed by Santiago Diazgranados in 2015 at Universidad El Bosque.
  • Transilvania (2014) stochastic composition for minor percussion, darbouka, banjo, steel string guitar, electric bass guitar, diatonic accordion, harmonica, and MIDI organ.
  • Duendes (2014) evolutionary, generative, non-deterministic electronics; installation.
  • Dodecaphonique (2014) for three french horns, tuba, bass tuba, and two harps.
  • Frolic (2014) for two french horns, two harps, and two marimbas.
  • Dulcis Osculum Mortis (2014) orchestra.
  • The Other Gods – unofficial soundtrack of the short cinematic (2013-2015): for flute, clarinet, bass clarinet, bassoon, harpsichord, and string ensemble.
  • Omen, Onus and Obit (2015) electroacoustic
  • Retículo Endoplásmico (2015) electroacoustic
  • Untius, Muncius, Punchus and Pyllax (2016) electroacoustic
  • Explosión Cámbrica (2017) for flute, oboe, Bb trumpet, trombone, two harps, violin, and double bass.
  • The Forbidden Umpple Cantata (2017) for chamber ensemble.
  • 5 Increasingly Verbose Motets (2018) for countertenor, tenor, baritone, bass, bassoon and trombone.
  • Siecha (2018) for string ensemble and clarinets. Read on 2018 by the Frost School Symphony Orchestra, directed by Scott Flavin.
  • Cities (2015-18) for chamber ensemble. See performance information above.
  • Genetic Drift (2019) for chamber ensemble.
  • Labyrinthodonts I and II (2019-220) for Chamber ensemble.
  • Boggott (2019) for flute, violin and cello.
  • Woodot the Boogwat (vocal version) (2019) for four vocalists with simple instruments. Based on the poem by Jennifer Beattie with the same title. See performance information above.
  • Woodot the Boogwat (electronic version) (2019). Based on the poem by Jennifer Beattie with the same title.
  • High Energy Tree (2020) for electronics, female singer, male singer, trumpet, tuba, marimba, guitar, and video.
  • Banyan (2020) for horn quartet.
  • Topeco (2021) for marimba and bass clarinet.
  • Efi (2021) for symphonic orchestra.
  • Yosemite Moss (2021) for symphonic orchestra.
  • 369 (2021) piano and electronics.
  • Anomalocaris (2022) for banjo, steel string guitar, automated midi harpsichord, 2 automated synthesizers, and percussion.
  • Terrarium (2023) for symphonic orchestra and video.
  • Volatile Terrain (2020 – 2023) for saxophone quartet and video.